• Every sound in Epic Brass was synthesized from scratch by Ergo Kukke, through years of experimentation and meticulous design. There are no sampled horns here—just raw, custom-built aggression crafted to perfection. The result? A sound impossible to create with traditional brass instruments.

  This library is designed for maximum cinematic impact, excelling at thunderous sustains, ferocious staccatos, and epic layering that make it ideal for hybrid scores such as trailers, industrial, sci-fi, and action projects. Weighing in at 14 GB, it features 16 individually crafted multi-sampled instruments—13 of which are velocity sensitive—alongside 60 hand-crafted convolution reverbs. Users can access all layers individually as .nki files or combined in one master .nki for a powerful mega mix.

  The collection spans a wide range of brass-driven sounds, from “Most Epic” patches and orchestral sections to movie brass, heroic brass, synth brass, and more experimental options like flutter brass and epic hip-hop variations, offering both versatility and sheer power for composers seeking bold, cinematic textures.

Epic Brass isn’t meant to sit quietly in the background. It’s meant to dominate.
Whether you’re scoring for film, designing game audio, or just need brass that bites, this is the tool for the job.

Shock Your Audience with the Meanest Brass Ever.

The Library

- Size: 14 GB
- 16 individually crafted multi sampled instruments, from which most (13) are velocity sensitive.
- 60 Hand-Crafted Convolution Reverbs
- All 16 layers available as individual .nki or in one master .nki for a mega mix

About the Producer

Ergo Kukke is a versatile and creative musician composing and creating sound design tools for different kind of media and in various genres. Being an admirer and devoted to film, he knows the role of music and sound design, its importance and impact on the audience. His musical styles include world music, classical film score, modern film music, different musical eras and electronic music from the 1970's to today's complex sounds. Ergo always greets the opportunity to create something totally new, unique and different. An empty page is no problem for him. He feels at home at sound synthesis - creating new sounds with synthesizers for music and sound design use. He has even created numerous software synthesizers, that he uses in his productions. This is also the reason he has been ghost producing for his sound designer friends for 15 years.