Introducing "Cyber Core" by Zero-G, sound designed by Ergo Kukke. This Kontakt instrument is engineered for modern composers, offering futuristic rhythms, beats, and themes suited for music that requires action, combat, and suspense. Cyber Core is designed to augment soundtracks, video games, and trailers with tension and excitement.

Cyber Core features high-quality recordings captured through multiple microphones, enhanced by synthesizers, FX and Ergo Kukke’s long history as a professional sound designer. Looking for the perfect sound, Ergo has recorded abandoned buildings, hospitals, ammunition warehouses, demolished 2 cars, engines, nature, many musical instruments and drums, made his own drums and synthesized a library of FX, Drums, Atmos etc. During this process tens of thousands of original sounds were recorded/synthesized and used to create the rhythmic loops for Cyber Core.

The four-layer interface allows you to blend over 280 sound sources spanning categories such as basses, glitch fx, drums, melodies, synth sequences and more, whilst giving you seamless control to twist and morph sounds in real-time. Cyber Core provides evolving rhythms and soundscapes, ideal for those seeking a unique cyberpunk sound. Cyber Core’s interface invites creativity and experimentation with it’s intuitive randomisation and modulation parameters, whilst the 132 custom designed snapshot presets that are provided offer an immediate way into the instrument.

Inspired by futurism and cybernetics like seen in Cyberpunk 2077, Ergo pushed himself further to do something musically daring and new. A loop cannot just be interesting, it also must be useful and there is plenty of that in Cyber Core as it is original in all aspects. Bored by traditional rhythmic instruments, Ergo made something that he himself actually loves.

Upgrade your compositions and make a bold statement with the gritty and electrifying rhythms of Cyber Core.

Features:

• · Four Sample Sources, each being allocated one of 286 source sounds with 302 samples.

  · 1.39 Gb of 48 kHz, 32bit samples

  · 132 thematic, categorized & modifiable snapshots

  · Snapshots divided into “Action” “Tensed”, “Sneaky” and “Freaky”.

  · Sound categories include "Bass'', "Drums'', "Glitch", "Hits", "Layer", "Melodic", "Percussion", "Time" and "Runs"

  · .Wav files are available to use separately in your DAW and are categorized and named by bpm, key and length

  · Independent 3-band EQ, Envelope & Filter Parameters, for each source

  · Pitch Shifting Controls, for shifting +/- 36 semitones

  · Source-Specific Panning Controls

  · Sample Selection Randomisation

  · ‘Source Movement’ Manipulation Pad, controlling the Gain Distribution Ratio

  · ‘Filter Movement’ Manipulation Pad, controlling Filter Cut-off & Resonance on either all sources, or per-source

  · ‘Horizontal’, ‘Vertical’ & ‘Circular’ Modulation Units, for both Manipulation Pads

  · ‘Edit Modulation’ Menu, containing 4 LFO Modules, for modulating any source parameter, alongside 4 Envelope Modules, for controlling the dynamics of multiple different source parameters

  · Edit Effects’ Menu, featuring 9 different Effects Modules; Chorus, Distortion, Lo-Fi (Bitcrusher), Replika Delay, Spatial (Stereo Field Enhancer), Filter, Phasis (Phaser), Convolution (Reverb) & Flair (Tuned, Harmonics-Enhancing Flanger)

  · ‘Edit Randomise’ Page, housing toggles for the randomisation of multiple sets of parameter

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Expanded Size: 1.5 GB

About The Designer

Almost 20 years in music and sound design, Ergo Kukke is a versatile and creative musician composing and creating sound design tools for different kinds of media and in various genres. Being an admirer and devoted to film, he knows the role of music and sound design, its importance and impact on the audience. His musical and sound design styles include world music, modern and classic film music, futuristic and classic electronic music. Ergo always greets the opportunity to create something totally new, unique, and different. An empty page is no problem for him. He feels at home at sound recording and synthesis – making playable real-life instruments and obsessing over new sounds with synthesizers for music and sound design use.