The Kumite synth in Dojo is based on 3 sound sources : the first two (Synth 1 and Synth 2) are based on a variety of synthetic sounds, organised in Analog, Dark, Distorted, FM, Granular, Organic and Vocal. The third (Sample) is organised in Textures, Strings, Rhythms, Impacts and Horns, for a total of 154 sounds. It features 180+ snapshots organised in Synth Cues, Cello Cues, Underscore, Pluck and Arpeggios.

The Kumite synth features a core modulation engine, based on a drawable wavetable LFO with multirate and multidepth capabilities; it also offers modulation functionalities for the Synth Morph, Synth Cutoff, Sample Volume and Sample degrade, which can be either modulated internally or in your host DAW.

The Kumite synth offers deep sound design capabilities, and allows to easily create phrases and hybrid cues   by blending the synthetic and organic layers.

The Kata synth in Dojo features 4 sound sources : Layer 1 -2 and Keys 1-2.

Layers 1-2 feature Cello, Double Bass, Violin, Viola, Crystal Baschet, Metallophones, Orchestral Woodwinds (Tuba, Trombone and sound designed winds), Voices, Atmospheres and Drones.

Keys 1-2 feature Metallophones (Glocks, Xylophone, designed Melody Box and Carillon), Piano and designed Keys, Plucks (Guitar and Zither) jetè and staccato from orchestral strings.

All said sounds can be combined, morphed and processed via a fully mappable and customisable XY Pad, where you can assign a variety of parameters to the X-Y axis of the pad. It is possible to set the range and the direction of the controlled parameters along the axis; the cursor of the XY Pad can be either assigned via MIDI or controlled in your host DAW.

The Kata synth in Dojo features 220+ snapshots organised in Strings, Woodwinds, Keys, Pads and Textures, Sequences and Plucks.

Dojo features a sample import version for both the Kumite synth and the Kata synth.

Here you can drag and drop your samples on the GUI of the instruments and process them by using the same core engines of the main ones.