The 2016 Stereo Room reverb plug-in was crafted to simulate a great sounding ‘room’. Delay lengths, reflections, and other properties of the virtual room were carefully considered in the modelling. This combination of art and science results in a natural, yet distinctive sounding reverb. The simple intuitive controls allow you to fine tune the perfect space for your sound - whether it’s a dark hallway or a bright studio vocal room.
Originally found on the SP2016 rack-mount, which has been used on hit records for decades, the 2016 Stereo Room plug-in features hand crafted artist presets from Joe Chiccarelli, George Massenburg, and Dave Pensado. Capable of both lush and subtle sounds, it’s also easy on your CPU. Use multiple instances to bring out the character of different parts of a track - 20 instances in one session? Go for it!
- Natural and distinctive sounding room reverb
- Simple, intuitive parametric controls that prevent unnatural results
- Complex early reflections resembling those of an actual great-sounding room
- Smooth decay tail that sits in the mix
- Novel Position control for precise mic placement in the virtual room
- Diffusion alters the character of the space - from sharp to rich
- Dedicated EQ controls to further sculpt your sound
- Low CPU hit - use as many instances as you want!
Since its debut in 1982 as the go-to reverb in the SP2016 rack effects unit, Eventide’s Stereo Room algorithm has been the gold standard for a room reverb that sits nicely in a mix and positions your sound in an acoustical space without washing out the integrity of the source. This is why Allen Sides, Mick Guzauski and Jack Douglas have been proud adopters and to this day it’s still in use in world-class studios like Ocean Way.
- Microsoft Windows 7+
- Apple OS X 10.7+
Please click on the link below to view the download and install guide for this product.
Info & Quotes
"The look and feel of Stereo Room 2016 is kind of retro but is easy to view and control which is good. As for the sound Stereo Room 2016 does a great job a recreating the 80’s style reverb algorithm from the hardware unit and sounds really natural." - Producer Spot
"You'll love the way the 2016 encourages you to blend scale and proximity to create space that doesn't swallow up the sound. Boosting the Low EQ can turbocharge the decay and, as long as you keep the levels in check, the tail is wonderfully smooth." - Computer Music
"Within 15 seconds I had some classic 80’s snare reverb running...The slightly grainy resolution and light modulation on the decay is spot on." - The Modern Producer